Designspiration P2

So here is Projection 2 from the JetstreamProjector inspiration bank on Designspiration. I chose to showcase the the three logos above because of their similar qualities and attributes. They all have the old college scholar feel with a subtle touch of masculinity. The first and last have a seal-like presence and the middle has a family crest style. The typography is strong and harmonizes well with the other elements of design that exist within each logo. If you take a look the line weights of the type and lines in each logo are very consistent with each other. All three are very memorable indeed. Check out Projection 1 if you have not done so already.

See what inspires me: JetstreamProjector on Designspiration

Also, check out Bruce Mai’s inspiration: Threefoureight on Designspiration

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Designspiration P1

So I am starting a simple post series of my inspiration derived from my saves on Designspiration. If you haven’t got a chance to check out the site now is the chance. I was invited earlier this year to be a member of the site and have utilized this wonderful resource quite frequently. So above is just Projection 1 from the JetstreamProjector Designspiration inspiration bank. In these projections I will be posting just small selections of my most recent saves. The Projection 1 feature includes a wonderfully designed poster for the band Vintage Modernists, the essential Dieter Rams’ “10 Principle Principles of Good Design” poster, as well as a beautiful poster of the great Massimo Vignelli’s “5 Phrases to Live By.” Many many more to come.

Check out more of what inspires me: JetstreamProjector on Designspiration

Also, check out Bruce Mai’s inspiration: Threefoureight on Designspiration

How it would be, if a house was dreaming!

555 Kubik created this facade projection called How it would be, if a house was dreaming. I initially didn’t know what to think of the video because I never seen anything quite like it. The projection is so precise on the building it looks real.

The conception of this project consistently derives from its underlying architecture – the theoretic conception and visual pattern of the Hamburg Kunsthalle. The Basic idea of narration was to dissolve and break through the strict architecture of O. M. Ungers “Galerie der Gegenwart”. Resultant permeabilty of the solid facade uncovers different interpretations of conception, geometry and aesthetics expressed through graphics and movement. A situation of reflexivity evolves – describing the constitution and spacious perception of this location by means of the building itself.